5 famous names of Bhagwaan Mahavir- the 24th Tirthankara

भगवान महावीर की जन्म जयंती के उपलक्ष्य पर उनके पाँच नामो से संबंधित संदर्भ आप सभी के समक्ष प्रस्तुत किये जा रहे है, कृपया इसे प्रसारित करेँ।।
(1) वीर:- भगवान के जन्मकल्याणक के समय जव सौधर्म इन्द्र को यह शंका होती है, कि इतना छोटा बालक 1008 कलशोँ के जल का प्रवाह कैसे सहेगा? इन्द्र की इस शंका को अवधिज्ञान से जानकर बालक तीर्थँकर ने अपने पैर से सुमेरु पर्वत पर थोडा सा वल लगाया तथा पूरा पर्वत हिल गया, जिससे प्रभावित होकर इन्द्र ने उनका नाम वीर रखा।।
(2)वर्धमान:- तीर्थँकर भगवान के गर्भ अवतरण के पश्चात ही उनके माता पिता के यश एवं वैभव तथा पुरवासियोँ की संपदा मे अभूतपूर्व वृद्धि हुई, जिस कारण उनके माता पिता ने उनका नाम वर्धमान रखा।।
(3) अतिवीर:- एक बार बालक वर्धमान अपने मित्रोँ के साथ उद्यान मे क्रीडा कर रहे थे, तभी एक देव उनके शौर्य का परीक्षण करने भयंकर सर्प का रुप धारण कर उनके मित्रोँ को सताने लगा, यह देख वर्धमान उसे वश मे करने के लिये उद्यत हुए, उनके इस साहस को देख देव उनके सामने नतमस्तक हुआ. इसी प्रकार उन्होने विना किसी शस्त्र के एक पागल हाथी को शांत किया तथा अपनी इस वीरता के कारण अतिवीर नाम से प्रसिद्ध हुए।।
(4) सन्मति:- एक बार संजय एवं विजय नामक दो आकाशगामी मुनि आकाश से गमन कर रहे थे, उन्हे आत्मा के संदर्भ मे कुछ शंका थी जो तीर्थँकर बालक को देखकर स्वतः ही दूर हो गयी! इस प्रकार मति, श्रुत, अवधि ज्ञान के धारी होने के कारण वे सन्मति नाम से जाने गये।।
(5) महावीर:- इन्द्र के मुख से मुनि वर्धमान की प्रशंसा सुन एक देव, रूद्र का रूप वनाकर विभिन्न प्रकार से उन पर उपसर्ग करने लगा, परंतु उनको जरा भी विचलित न होता देख वह देव बहुत प्रवाभित हुआ, तथा उनसे क्षमा याचना कर उनकी स्तुति करने लगा, एवं इस प्रकार वे महावीर नाम से प्रसिद्ध हुए।।

The Shri Mahalakshmi Temple of Kolhapur in Maharashtra, India, is one of the Shakti Peethas listed in various puranas of Hinduism. According to these writings, a Shakti Peetha is a place associated with Shakti, the goddess of power. The Kolhapur Shakti Peetha is of special religious significance being one of the six places where it is believed that one can either obtain salvation from desires or h…ave them fulfilled. The temple takes its name from Mahalakshmi, the consort of Vishnu, and it is believed that the divine couple reside in the area.
The temple belongs architecturally to the Kannada Chalukya empire and may have been first built in circa 700 AD. Mounted on a stone platform, the image of the four armed and crowned goddess is made of gemstone and weighs about 40 kilograms. The image of Mahalakshmi carved in black stone is 3 feet in height. The Shri Yantra is carved on one of the walls in the temple. A stone lion, the vahana of the goddess, stands behind the statue. The crown contains an image of the Sheshnag — the serpent of Vishnu. In Her four hands, the deity of Mahalakshmi holds objects of symbolic value. The lower right hand holds a mhalunga (a citrus fruit), in the upper right, a large mace (kaumodaki) with its head touching the ground, in the upper left a shield (khetaka), and in the lower left, a bowl (panpatra). Unlike most Hindu sacred images, which face north or east, the image of this deity looks west (Pashchim). There is a small open window on the western wall, through which the light of the setting sun falls on the face of the image for three days around the 21st of each March and September. There are a number of other shrines in the courtyard to the Navagrahas, Surya, Mahishasuramardini, Vitthal-Rakhmai, Shiva, Vishnu, Tulja Bhavani and others. Some of these images date back to the 11th century, while some are of recent origin. Also located in the courtyard is the temple tank Manikarnika Kund, on whose bank is a shrine to Visweshwar Mahadev.
Worship Structure: Five worship services are offered each day. The first one is at 5 am, and it involves the waking of the deity with a Kakada – torch, to the accompaniment of hymns. The second worship service at 8 am involves the offeirng of the Shodashopachara pooja consisting of 16 elements. The afternoon and evening services and the Shejaarati pooja constitute the three other services.
Special Events: A festival image of the deity is taken out in procession around the temple courtyard each Friday, and on full moon days.

Contents [hide]
1 Significance
1.1 Kirnotsav Celebrations
2 Festival
3 History
4 Location
5 External links

Mahalakshmi Temple, Kolhapur.
It is said that both Shri Lakshmi and Shri Vishnu reside in the Karveer area eternally and shall not leave even at the time of Mahaprayakala. This region is therefore also referred to as an avimuktakshetra. Karveer region is eternally blessed and is believed to be held by Mother Jagdambe in her right hand, and so this region is protected from all destruction. Lord Vishnu himself adores this region more than Vaikiuntha or the Kshirsagar since it is the home of his consort Lakshmi. According to popular legends, Mahalakshmi left Vaikuntha and arrived at Kolhapur on hearing that Lord Venkatesh (Vishnu) her beloved husband failed to take action against sage Bhrigu for his horrific behaviour towards him. An angry Mahalakshmi is said to have observed strict penance in Kolhapur for several years until upon hearing the news of her husband being married to Tirumala Padmavati, another avatar of Mahalaskhmi. The greatness of this region has therefore attracted many sages and devotees, the blessings and affections showered by this region on its devotees are immeasurable. It is believed that Prabhu Shri Dattatreya still comes here every noon to seek alms.
The statue of the Goddess Mahalakshmi is made of gemstone and is considered to be at least 5000 to 6000 years old. It weighs about 40 kilos. The precious stones that adorn the deity indicate the antiquity of the idol. The platform of the Goddess Mahalakshmi is made of stone. The statue of the Goddess has four arms. In the lower right hand she holds the matulinga, (a fruit similar to and ordinary lemon but much larger in size). In the upper right hand she holds large mace, kaumodaks, its head touching the ground. In the upper left hand she holds the shield or khetaka, and while in the lower one she holds a bowl, panpatra.
On the crown of the Goddess Mahalakshmi are a cobra-hood and a Shiva-ling with a Yoni around it. Standing behind is the Goddess’ vahana-a lion. Almost all the idols of the God face the north or the east directions, whereas here the Idol faces the west. The small window on the western wall which is open. Once a year, the rays of the Sun during sunset falls on the face of the image through this window. This period lasts for three days, each time, the 21st, of the months of March and September. This period is considered extremely auspicious, the Devotees throng the temple on all the three evenings the temple for a glimpse of the beautiful image bathing in the golden rays of the setting sun.
[edit]Kirnotsav Celebrations
Kirnotsav in Mahalakshmi Temple Kolhapur (festival of Sun rays) is celebrated when the sun rays fall directly on the deity’s Mahalakshmi idol at the time of sunset on the following days :
31 January & 9 November : Sun rays fall directly on the feet of the deity. 1 February & 10 November : Sun rays fall directly on the chest of the deity. 2 February & 11 November : Sun rays fall directly on the entire body of the deity.

It is not surprising that even the rays of a setting sun pay homage to Goddess Mahalakshmi as the life of human being revolves around illumination and prosperity. But it is the wonder of wise architects who built the temple of Mahalakshmi at kolhapur that the rays of the setting Sun, bow at the feet of the Goddess through a window, for a while before vanishing. This special event is celebrated by thousands of people as ‘KiranUtsav’. Every year this festival is celebrated on the following days at evening: 31 January 1 February 2 February 9 November 10 November 11 November
It is said that Sun god gives respect to Mahalaxmi for three days in a year. This will be on the occasion of RathaSaptami (which will be somewhere in January every year). This will be for 3 days. The first day, ray falls on the feet, on second day, on the middle portion of the deity and on the third day on the face. Its the architect’s excellence, which is been done more than 1000years ago, can still be observed. Later during the time of Peshwas, the temple was repaired. Though, many invasions over this part of India has caused some damages of the beautiful idols, which are all around the temple.

The city is referred to in many Puranas, 500 years back. Research guesses that it was in existence in the times of Parashuram. The time is.considered parallel to that of Mata peeth (Mahurgad), Sapta Shringi (Nasik) and Bhavani Peetha, in the Ramayana times. Karveer washes off great sins. There are many ancient, rich temples, holy places and gardens.
There is evidence to show that the Konkan king Kamadeo, Chalukya, Shilahar, Yadav dynasties visited this city. Adya Shankaracharya also visited. Chhatrapati Shivaji Maharaj & Sambhaji reigned. The idol of Mahalaxmi is made of jewel – stone, approximately weighing 40 kg. The size is like Salunki. Sand & diamond are found in it. It stands on a stony stage with a lion behind it. In the middle there is natural lotus. It is four-handed, having Vetak, shield, Mhalung & Water-Pot. There is crown on the head and a snake holds shade.
In 109 A. D. Karnadeo cut off the jungle and brought the temple to light. The existence goes back to 8 th century, according to Dr. Bhandarkar & Mr. Khare. In the 8 th century, the temple sank down due to earth­quake. In the 9 th century Gandavadix (King) extended the temple by building Mahakali Mandir. During 1178 -1209, in the reigo of Raja Jaysing & Sindhava, South gate & Atibaleshwar Temple were built. In 1218 Yadav king Tolum built Mahadwar, and offered jewels to Devi. Further, Shilahar built Maha Sarasvati Mandir. He being a gain, got 64 idols carved. It is possible that new idol called Padmavati was installed at that time. Further, in Chalukya times, Ganapati before the temple was installed. It seems that the original temple was of the Hindus. In the 13 th century, Shankaracharya built Nagar Khana & Office, Deepmalas.
During 1712 – 1792 (Sambhaje Reign) Narhar Bhat Shastree had a dream which he told to Sambhajee. In the Mogal reign, the worshippers had hidden the idol for protection. Believing Sangavakar’s dream, Sambhajee started a search. This idol was found in a house in Kapil Teerth Market. According to Sambhaji’s letter dated 8 Nov. 1723, Sindhoji Hindurao Ghorpade of Panhala installed the idol again on 26 Sept. 1712 (Monday, Ashwin Vijiya Dashami). The number of devotees grew, and in due course of time, the Devi became the Deity of Maharashtra. The idol began to denude due to Abhishekas. So Sankeshwar Shankaracharya got it repaired. After Vajralep & sacrifices, it was again installed at the hands of Kolhapur Shahajee Raje in 1954.In 1960, there was transformation under the supervision of Mr. Lohiya. As a result, the premises seemed extensive. There are 5 main temples and 7 Deepamalas now. Around are 35 small – big temples and 20 shops. There are 5 Hemad-style tops. Adjoining is Garud Mandap, built by Mr. Harshe.

The Shri Mahalakshmi Temple is situated in the city Kolhapur in Maharashtra. Kolhapur is an important and significant city lying in the ancient Karveer region which is a treasure trove of ancient religious monuments in Western Maharashtra. Kolhapur is well connected by rail and road with the major cities of India. Trains ply between Kolhapur and Mumbai, Bangalore, New Delhi and other important cities of Maharashtra like Pune,Sangli, Miraj. The city is also well connected by a road network. Within the city public transport is conveniently available

Rishab Dev – The Founder of Jainism

Risabha Deva - The Founder of Jainism

Photograph of the marble image of Rishabhadev (or Adinath), the first Jain Tirthankara, in the Ramaji Gandharia Temple, Satrunjaya. Edmund Lyon wrote: “This figure is in the temple of Ranigi Gandharia, it is the image of Rishabhadev the first Tirthankar. There are two others, one

on each side, but owing to the want of space cannot be fully shown in the Photograph. The idol itself is of alabaster, quite plain with rubies and a few other precious stones in the breasts, eyes, &c. The position is curious but is that in which all the Tirthankars are invariably represented. The screen round the principal figure is of pure white marble carved in a manner which though grotesque cannot fail to excite our warmest admiration.”

Source : British Library


KING MEGHARATH Lord shantinath

This is the incident happened to the king Meghrath who become the sixteenth Thirthankar “Lord shantinath”.


Once there was a discussion going on in Indra’s (head of heavenly angels) court. One of the demi-gods said that there are brave and merciful kings on Earth who would not hesitate laying down their own lives to protect those who come to them for a shelter. Another demi-god doubted his statement. The two began to argue and so Indra intervened by asking them to go to the Earth and see for themselves. The two demi-gods made a plan of action. One of them decided to take the form of a pigeon, and the other took the form of a hawk.

On the Earth, King Meghrath was sitting in his court surrounded by his courtiers. At that time a pigeon flew in through an open window and started circling inside the hall. To the king’s surprise, it landed on his lap. The king realized that the pigeon had come there out of fear.

At that very instant, a hawk flew into the king’s court too. He said to the king, “This pigeon is my prey.” The king was struck with a wonder to hear a bird speak. However, he replied, “It is true that this pigeon is your prey, but I can give you some other food.”

He ordered his servants to bring a basket of sweets. But the hawk said, “I am not a human being. I am not vegetarian. I need the flesh for my food.”

The king said, “Let me give you my own flesh instead of this pigeon’s flesh.” Upon hearing this, one of the courtiers said, “Your Majesty, why should you give your own flesh? Let’s get the flesh from a butcher’s shop.”

The king replied, “No, because just as a confectioner’s business thrives when we consume sweets, a butcher’s trade flourishes when we use up meat. The butcher may have to kill another animal in order to supply us the meat. This pigeon has sought refuge and it is my duty to protect it. At the same time, it is my duty to see that no one else is harmed in this process. Therefore, I will give my own flesh to the hawk.”

With these words, he took out his dagger and cut off a piece of flesh from his thigh and offered that to the hawk. The whole court was stunned. But the hawk said to the king, “Oh, king! I want the same amount of flesh as the pigeon.”

So, a weighing scale was brought to the court. The king put the pigeon on one side and a piece of his own flesh on the other. The king kept putting more and more of his flesh on the scale, but was still not enough. Finally the king was getting ready to put his whole body on the scale. The court filled with the murmur that the king was giving his own life for an insignificant bird. But the king considered it his duty and religion to be above everything else. He sat on the side opposite to the pigeon in the scale, closed his eyes, and began meditating in the peace.

As soon as the king entered into the meditation, the pigeon and the hawk assumed their original divine form. Both demi-gods bowed to the king and said, “Oh great king! you are blessed. We are convinced that you are a brave and merciful man.”

With these words, they praised and saluted the king again and left. The whole court resounded with the joyous words, “Long live the King Meghrath.”

Later on, the soul of King Meghrath became the sixteenth Tirthankar, Shäntinäth.

A merciful person is someone who is not only influenced by seeing the misery and suffering of others, but goes a step further and attempts to alleviate the pain. He gives financial aid to those who are poverty-stricken and gives food to those who are hungry and needy. A merciful person would not harm others to promote himself but on the contrary, would sacrifice even his own life to save the lives of the others.